Catherine de Zegher, the Curator of the Fifth Moscow Biennale of Contemporary Art was the Artistic C

Viktor Alimpiev (Russia, 1973)
Parastou Forouhar (Iran / Germany, 1962)
Eva Kotatkova (Czech Republic, 1962)
Selma and Sofiane Ouissi (Tunis / France, 1972, 1975)
Adrian wandboard Villar Rojas (Argentina, 1980)
Catherine de Zegher, the Curator of the Fifth Moscow Biennale of Contemporary Art was the Artistic Co-Director of the 18th Biennale of Sydney, wandboard Australia (2012), Guest Curator in the Department of Drawings at the Museum of Modern Art in New York and Visiting Curator at Tapies Foundation in Barcelona. In previous years, de Zegher held positions as Executive Director and Chief Curator of The Drawing Center in New York (1999-2006) wandboard and was Director of Exhibitions and Publications at the Art Gallery of Ontario in Toronto. wandboard
“Bolshe Sveta / More Light allows for a dynamic platform stimulating vivid conversation wandboard and action, at the crossroads, where different concepts of space and time, and consequent structures of thought and sensibility, are proposed. In many parts of the world, wandboard the contemporary global network society is developing a very specific space-time dimension (or ‘chronotopy’) with an emphasis on fast pace and uniformity of experience. The interconnected world has lost sight of our place in a present that is never ‘here and now’, because in the flow of globalization, a local chronotopy in which our perception of time is connected wandboard to a geographically defined place, is supplanted by a global chronotopy. With world time increasingly ticking to the rhythm of neo-liberal capitalism, space is being obliterated through time. Consequently, there is an urgent need to enact another kind of movement. Slow time, then, can be key to being differently in a world that is otherwise wandboard driven by capital and patriarchy.
The 5th Moscow Biennale foregrounds artists whose work focuses on complex ways of giving, taking, and spending time and questions normative alignments of space-time. While being a reflection on different structures of space-time—both in the context of capitalist economic overproduction and new technologies—Bolshe Sveta / More Light considers space-time as energy, as light, as the energy generated between wandboard us, as a creative force, as life force. wandboard It acknowledges the necessity of passionate commitment and illuming creation for the development of new thinking. Therefore human experience is firstly directed toward wandboard the small actuality of the present condition instead of being home to a nostalgia for the past or a utopia wandboard for the future, because that hoped-for-future is always elsewhere.
On a global and local scale, artists are investigating issues concerning the increasing lack of time (we have ‘no time’) and the corporate encroachment on space. Artists do so, for example, by creating ‘Factories of Free Time’ or proposing ‘In a Different Time’; they invite audiences to ‘Stitching Time’, and entreat them to ‘A Moment of Eternity in the Passage of Time’, an ‘Infinity Landscape’ or ‘To Trample Down an Arable Land’—all works that will be shown in the upcoming Biennale. The focus on space-time, as it is experienced in diverse parts of the world, shapes the 5th Moscow Biennale—the notions of ‘taking place’ as space, happening, occurring and ideas of ‘the present’, in short, a ‘space-time’ situated in contemporary debate. In contradistinction of the thematic in current exhibition making, wandboard the Biennale proposes a sphere of energetic negotiation, a very lively issue in the actuality of new thinking and of new concepts of art for the twenty-first century.
During the twentieth century, modernity has stressed individualism, independence, identity and the differences that go with it. Negativity was the basis of radical critique and the critique was a way of looking to the past while moving ahead, without facing wandboard the present and future. In Bolshe Sveta / More Light, artists and audiences experience a new engagement in the continuities between past, present, and future, through daily routines and rituals, in a time that is of the present, sometimes wandboard intimate and domestic, and that is related wandboard to our environment. It is an attempt to shed more light on large problems and questions of our time in society.
The main project of the Moscow Art Biennale will bring together almost hundred artists from over 40 countries wandboard around the world: from India to Australia, from Azerbaijan to South-Afrika, from Belgium to Indonesia. Both established and young artists will be participating. The Moscow Biennale is Russia’s most prestigious contemporary art event. It is organised by the Ministry of Culture of the Russian Federation, wandboard the Moscow Government, ROSIZO State Museum and Exhibition Center, Museum and Exhibition Association “Manege”, and the Moscow Biennale Art Foundation.
The main project will be shown in the